In Search of Secret Formula for Viral Videos

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cvargas
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Re: Making a Hit
cvargas   12/31/2011 9:28:24 PM
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@John

Good points!  If the "best video" isn't going to attract people to it then it is going to die with relatively no chance for survival.  And if the crappiest video out there goes viral then it is proof in point that the content is not necessarily the key factor to what makes a hit.

John Barnes
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Re: Secret forumla
John Barnes   12/31/2011 2:54:13 PM
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Absolutely right for several reasons, I think: for one thing, traditional media validates the social media, so that the people reposting and sharing have a sense that "this is important."  For another, in something like the Parable of the Seed, the best way to make sure some of your social messages find a place where they can grow is to scatter them widely, and traditional media is still best at that.  And then there's the matter of structure: traditional media has genres and forms that help people make sense of content.  When the Texas kid-beating judge was just a sub-epidemic viral video, mostly people were looking at that big goon hitting his daughter and thinking, "Geez, ugh, yuk, that's awful" -- and sometimes passing it on because it was just so awful.  Traditional media production shaped it into a message -- "this s.o.b. is a JUDGE! We have to do something!" -- that fit the genre of "horrible things done by public figures who think no one is watching them" -- and that made it go full-on viral, I suspect, because now people knew why they were sending it to each other, and what they hoped to accomplish by forwarding it.  (All top of head interpretation, of course ... unsupported by actual serious study of the case, just assuming it's close to cases that have been studied).

I think we can probably say that in the foreseeable future trying to do just traditional or just social media will turn out to be like rowing with one oar: with skill, it can be done, and you can even get somewhere, but it's not efficient and too much work.  Much better to have both oars in the water.

John Barnes
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Re: Making a Hit
John Barnes   12/31/2011 2:46:40 PM
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Leading back, perhaps, to the always scary point that content matters.  A terrific video with all the right elements about something that almost no one is interested in is going to die; the "best available" video -- even if that's quite poor quality  -- on a hot topic that everyone needs to know about now is going to go viral.  In between the extremes of very dull and absolutely necessary content, presentation undoubtedly matters, but there's a point where the sow's ear just isn't close enough to the silk purse no matter how smart you are about your sewing. 

Barbara Krafte
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Re: Secret forumla
Barbara Krafte   12/30/2011 10:58:44 AM
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Mike - your post presents some compelling new insights for a company's video marketing and effectively spotlights the must-haves for viral success. The importance of matching the media to the target can't be overstated. That being accomplished, strong videos are great at generating excitement around acquisitions, product introduction, or awareness for little known and new products.   

I'd add one additional point. In the end, no matter the viral success, videos still play only a supporting role in a company's overall brand or product marketing. You might want to take a look at Jeff Nef's piece in AdAge, Dermablend's 'Zombie Boy' Viral Shows Big-Budget L'Oreal Can Think Small http://adage.com/article/special-report-media-evolved/dermablend-s-zombie-boy-viral-shows-big-budget-l-oreal-small/231013/ (if you haven't already). In it, he highlights remarks at a recent AdAge conference by L'Oreal USA CMO, Marc Speicher, about the relationship between digital and traditional marketing in a brand's product marketing. Speaking to Dermablend's recent breakthrough video, Speicher says, "Traditional media becomes that amplifier and springboard for the digital work." He goes on to add, " to get that breakthrough, traditional media remain very important."

 

cvargas
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Making a Hit
cvargas   12/30/2011 8:19:00 AM
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Dr. Coker does provide a good analytical viewpoint regarding the qualities that make a hit viral video.  But as part of his study, did he actually use his formula to generate a viral video himself and test his own conclusions?  Was he able to ascertain that his theory was accurate and proven from that aspect as well?

 

cvargas
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Re: From a practitioner
cvargas   12/30/2011 8:11:59 AM
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I could see those three being very useful components, but in the grand scheme of things it is difficult to use that as a formula towards success in a viral video.  I could make an extremely useful and detailed presentation regarding a topic and it would not necessarily go viral as a result.  There has to be more into the formula than meeting one of those three criteria.

John Barnes
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And he might have been right.  Or ten thousand other things could have done it.  The history of entertainment arts is one long nightmare for anyone who notices how many things are there to prevent success. 

Which is why I tend to take an evolutionary perspective on guides and how-tos, no matter how well done.  Robert McKee, in the early 1990s, came up with a description that fit about 8 great movies; Syd Field did the same thing for about 10, at about the same time.  Nowadays, 20 years later, script evaluators at some agencies and studios are still checking a box that says "McKee" or "Field", meaning that the writer appears to have been trying to write according to one formula or the other.  Literally thousands of movies have been made trying to hit one or the other formula perfectly, and tens of thousands of person-hours expended on explaining why some highly successful movies that didn't fit the formula really did, and probably hundreds of thousands of unproduced scripts written to fit the formulas.

Was that the best use of time and effort in the quest for movies that would pack theaters and live in a generation's imagination?  Almost certainly not.  But it was the most investor-reassuring way to do it.

Similarly, the potential gains from a viral video are now so huge that the formula-devisers are at work (and you could pretty much argue they always have been -- Aristotle's Poetics could be read as a formula for tragedy).  In five or ten years, there will be 1-3 formulas for viral videos -- which won't necessarily produce viral videos, but will reassure the people paying for them.

Hmm.  So the most profitable thing a person could actually produce might not be the thing itself, but the plausible formula for it ... 'scuse me, I have to get to work on something...

Ariella
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@John, your reference to writing guides remind me of what a fellow adjunct once told me about the one book he had published. He said he had been assured it had all the signs of a bestseller, but it wasn't. He blamed his agent/publisher for their lack of efforts in marketing it. 

Mitch Wagner
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Re: Viral tweet
Mitch Wagner   12/27/2011 11:30:48 PM
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My viral tweet is now up to 1,004 RTs, 200 favs. 

John Barnes
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I used to collect books about writing, going back to around 1870.  Something highly dependable is that whenever any particular kind of writing becomes lucrative -- and scripting an ad video that goes viral is at least perceived as very lucrative -- someone will invent a formula that can be stretched to fit most of what has succeeded.  It's come and gone for stage plays 1890-1910, short stories 1925-50, genre novels 1960-80, screenplays 1940-55 AND 1985-2000, direct mail copywriting 1995-2005, and there have just recently been a slough of articles and pieces about writing nonfiction short pieces for the web.  Almost all of them tell you the equivalent of "A successful cow will have four legs, a head, a tail, an udder, and a heartbeart, and will be focused on grazing."  And thousands of would-be entrepreneurs will then try to produce four-legged head-tailed-uddered-hearbeating grazers.  The few that do will see the formula confirmed; the rest will think they failed to follow the formula.

In one of my other guises, as a theatre history professor, I always made them read Sophocles's Ajax.  Because usually their theatre history texts will tell them that Greek plays featured continuous action in a single setting with no on-stage violence, but Ajax has discontinuous action in multiple settings and a quite bloody onstage suicide.  It's the first lesson that when the critics say "the great ones always have ..." they mean "the two or three I especially like have..."

 

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